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"LIKE THE RHYTHMS OF A DANCE FORM, LIKE THE MAGIC
OF MUSIC, LIKE THE FLUIDITY OF POETRY, COME THESE SAREES FROM
ORISSA CREATED BY MASTER WEAVER CHATURBHUJ MEHER."
Baandha
weaving otherwise known as "tie & dye" weaving is the art of
tieing and dying of warp and weft threads as per the required
design. When both warp and weft are tied and dyed and woven it
is called Patolaa.
It is in the process of hand weaving that the design gets
transmitted on to the fabric by the deft hands of the weaver.
It is this art which has been given new dimension and direction
by Sri Chaturbhuj Meher, the Master Craftsman, by devoting his
sleepless nights.
AN EXCELLENT ORGANISER, GUIDE AND
INCOMPARABLE TEACHER OF HANDLOOM ART AND TECHNIQUES WITH
HEART AND MIND
A
great
artist with a great and noble mind could not remain long within
the four walls and the limited sphere of Govt. service . His
heavenly soul aspired for greater Organisation and Institution
of his own. The lucrative post of the Central Government had no
lures for him. In 1982, Chaturbhuj Babu started his own weaving
factory at his native place Sonepur. Here he applied his
acquired experiences and knowledge for the production of
numerous new patterns and designs of pure Silk and Tassar
fabrics putting together of Baandha and other renowned
traditional Handloom Arts of India. As a result. his production
could fetch better price and demand throughout India and abroad.
Besides, the weavers working under him could earn better and
alluring wages being conversant with new techniques and skill or
handloom art.In
1984, Chatu rbhuj
Babu
resigned voluntarily from his post of Expert Weaver in order to
utilise his full time for the rapid and fruitful progress of
this industry. Side by side, he
never
thinks of earning money after curtailing the wages
of his weavers. Now
with noble intention
he has
started a number of
handloom weaving institutions for the betterment of the
weaver community at large. Chaturbhuj Babu is fully happy
and
content now after observing the spectacular success and solid
progress of his Institutions for which he has toiled hard day
and night and utilised his talent, knowledge and long
experiences in hand loom traditional and modern arts and
techniques. What is more, with his simplicity, noble character
and generosity he has been a fountain-head of inspiration for
other artists in this field.
As
some of the photographs of his creation
given
here illustrate the artistic talent. intuition and genius of
Chaturbhuj Babu, it is not felt necessary to quote the opinions,
impressions of the eminent lovers of Art and Culture of India on
him. Though this renowned artist has attained the highest place
in the world of Handloom, enjoying goodwill and high reputation,
he is still working relentlessly without bothering for name
and fame.
HIS SOCIAL ACTIVITIES AND SINCERE CONTRIBUTION
A part
from his precious contributions in the domain of handloom,
artist Chaturbhuj Babu also spares his valuable time off and on
for the upliftment of the Weaver Caste and for eliminating blind
faiths and ill-manners in them. In sort, this extraordinary
artist never hesitates to take part in such affairs that means
good irrespective of any downtrodden caste and creed. May his
professional successors profit and prosper by his guidelines for
all
time to come.
CHATURBHUJ MEHER A MIDAS
OF EKAT
ART
Throughout the
world rare and exceptional is the Ekat
or "Baandha" art
of Westem Orissa. It is a unique type and there is nothing like
it in
the Wond of Weaving. This Art as a technique of weaving is so
original and disparate that it has no resemblance whatsoever to
tne
other hand loom arts of India. If in Orissa. there ever
grew
up a peerless craft tradition in hand loom. it was because the
Meher (Bhuliaa)
weavers were also artists. The son watched
his father at work. His hands at first acquired the
skill.
slowly
his mind attuned itself to the work, developed
sensitiveness,
perceived new images and wove new patterns.Thus
the
tradition was preserved and improved by degrees.
THE CHILDHOOD OF ARTIST CHATURBHUJ MEHER
On 13th October
1935 Chaturbhuj Meher was born as a second child and only
son of father Sri Nilamani Meher and mother Srimati Mayavati.
Nilamani Meh er
was weaving beautiful Butaadaar Kaptaa
(saree)
and managing his family comprising six members anyhow
or other. But,
as ill-luck would have it. mother Mayavati
passed away leaving her only
son and three daughters at their
infancy. Then
being depressed and downcast. Nilamani suffered
from Sciatica and became unable to weave cloth. This budding
prodigy Chaturbhuj Meher; at the age of seven was lacking
even the bare sustenance. Having no way out. the artist Chaturbhuj
Meher and his elder sister had to earn the bread for their
family
by helping the weavers on the looms. While sitting or
the
loom,
the cloth-beam used to touch the neck of this child
artist. So a low stool with a pillow upon it had been arranged
for
him to sit on.
From such a poor
weaver family. comes the extraordinary artist Sri Chaturbhuj
Meher
of Sonepur in Western Orissa. He is so to say a born
artist
of delicate charm and brilliant finesse. His sensibility of
rhythm
and colour,
line and curve. size and shape made him a perfect designer and
the master craftsman. The dreams of his mind are aptly executed
by his hands. How artist Chaturbhuj, bcm in a poor weaver
family, could. with his super artistic genius, surmount the
difficulties of pecuniary wants and educational deficiency
and marched forward. deserves earnest praise and co-operation
from the lovers of arts and crafts
of this country and abroad.
ARTIST CHATURBHUJ BABU
In the year 1947
artist
Chaturbhuj Babu entered into the Weaving Factory of
Sonepur
an d
wove various patterns and designs of fabrics having
Butaa,
Baandha,
Kumbha and Anchaa works etc. to the complete satisfaction of the
incharge officers of the said factory and learned
different techniques
of weaving. In
1950
he worked and
wove
beautiful
sarees for Utkal
Purdah
Agency
of Sambalpur under the able guidance of Radhashyam Meher , the
epoch-making Bandha artist of orissa.
But this little wizard later on excelled his 'Guru' by learning
the different traditional techniques of different provinces of
India working as an Expert Weaver in various Weavers
Service
Centres of All India
Handloom Board under Govt of India. Not only that. but he was
deriving immense pleasure
from
teaching those arts and techniques to other weavers. This sort
of generosity is rarely found with the other artists of this
trade. |